Discussion:
Georges Brassens -- the French Dylan?
(too old to reply)
Bureau of Public Secrets
2003-10-31 17:44:16 UTC
Permalink
"Brassens and the other post-World War II French singers are
responsible for
the greatest renaissance of song in modern times. . . . The great
secret of
Brassens is that he speaks for the total unassimilables with complete
self-awareness. He knew that he and behind him his ever-growing
following
could not and never would be assimilated, and he knew why, and he said
so in
every song, whatever that song was about. With him the counterculture
comes
of age."
(Kenneth Rexroth, "Subversive Aspects of Popular Songs")


Georges Brassens was a lifelong anarchist, and his songs express a
lively
antiauthoritarian spirit, even if most of them are about the simple
pains
and pleasures of life rather than about specifically political topics.

He is sometimes compared with Bob Dylan. They are equally significant,
but actually differ from each other in many ways.

Unfortunately, few English-speaking people are aware of him.

In an attempt to help remedy this situation, I have put together a new
webpage which briefly discusses Brassens and the other creators of the
French "renaissance of song", and which also includes links to some of
the
most useful Brassens sites on the Web. It's at
http://www.bopsecrets.org/recent/brassens.htm .



* * *

BUREAU OF PUBLIC SECRETS
http://www.bopsecrets.org

"Making petrified conditions dance by singing them their own tune."
sophie
2003-10-31 23:10:08 UTC
Permalink
Post by Bureau of Public Secrets
"Brassens and the other post-World War II French singers are
responsible for
the greatest renaissance of song in modern times. . . . The great
secret of
Brassens is that he speaks for the total unassimilables with complete
self-awareness. He knew that he and behind him his ever-growing
following
could not and never would be assimilated, and he knew why, and he said
so in
every song, whatever that song was about. With him the counterculture
comes
of age."
(Kenneth Rexroth, "Subversive Aspects of Popular Songs")
Georges Brassens was a lifelong anarchist, and his songs express a
lively
antiauthoritarian spirit, even if most of them are about the simple
pains
and pleasures of life rather than about specifically political topics.
He is sometimes compared with Bob Dylan. They are equally significant,
but actually differ from each other in many ways.
well, he sang and played guitar.
he was male.
er.
Post by Bureau of Public Secrets
Unfortunately, few English-speaking people are aware of him.
In an attempt to help remedy this situation, I have put together a new
webpage which briefly discusses Brassens and the other creators of the
French "renaissance of song", and which also includes links to some of
the
most useful Brassens sites on the Web. It's at
http://www.bopsecrets.org/recent/brassens.htm
jojo was god.
and I think your post was spam.
but there you go.
--
sophie
j'ai vingt-six ans (if only) mon vieux Corneille...
ravero
2003-11-01 11:08:40 UTC
Permalink
I would rather say Bob Dylan is the American Georges Brassens (started
recording much earlier - late 40s?)

RV
Post by Bureau of Public Secrets
"Brassens and the other post-World War II French singers are
responsible for
the greatest renaissance of song in modern times. . . . The great
secret of
Brassens is that he speaks for the total unassimilables with complete
self-awareness. He knew that he and behind him his ever-growing
following
could not and never would be assimilated, and he knew why, and he said
so in
every song, whatever that song was about. With him the counterculture
comes
of age."
(Kenneth Rexroth, "Subversive Aspects of Popular Songs")
Georges Brassens was a lifelong anarchist, and his songs express a
lively
antiauthoritarian spirit, even if most of them are about the simple
pains
and pleasures of life rather than about specifically political topics.
He is sometimes compared with Bob Dylan. They are equally significant,
but actually differ from each other in many ways.
Unfortunately, few English-speaking people are aware of him.
In an attempt to help remedy this situation, I have put together a new
webpage which briefly discusses Brassens and the other creators of the
French "renaissance of song", and which also includes links to some of
the
most useful Brassens sites on the Web. It's at
http://www.bopsecrets.org/recent/brassens.htm .
* * *
BUREAU OF PUBLIC SECRETS
http://www.bopsecrets.org
"Making petrified conditions dance by singing them their own tune."
Weatherman
2003-11-01 21:01:28 UTC
Permalink
I don't know how these comparisons can be made. It seems that every time
people get a half-decent songwriter / lyricist, comparisons are then made
with Dylan. This just emphasises how prolific and profound Dylan is. Rather
like comparing Shakespeare with every other playwright.

For what it's worth I have heard it been said more often that Jacques Brel
was more like Dylan than Brassens. Not having a good grasp of the French
language, I wouldn't be able to judge. However, I believe one
thing....neither Brel not Brassens, nor anyone else for that matter, has
moved or affected such a populace, such a wide ranging generation of people
across continents, languages and races, as Bob Dylan.
--
"He not busy bein' born is a-busy dyin'"
Post by Bureau of Public Secrets
"Brassens and the other post-World War II French singers are
responsible for
the greatest renaissance of song in modern times. . . . The great
secret of
Brassens is that he speaks for the total unassimilables with complete
self-awareness. He knew that he and behind him his ever-growing
following
could not and never would be assimilated, and he knew why, and he said
so in
every song, whatever that song was about. With him the counterculture
comes
of age."
(Kenneth Rexroth, "Subversive Aspects of Popular Songs")
Georges Brassens was a lifelong anarchist, and his songs express a
lively
antiauthoritarian spirit, even if most of them are about the simple
pains
and pleasures of life rather than about specifically political topics.
He is sometimes compared with Bob Dylan. They are equally significant,
but actually differ from each other in many ways.
Unfortunately, few English-speaking people are aware of him.
In an attempt to help remedy this situation, I have put together a new
webpage which briefly discusses Brassens and the other creators of the
French "renaissance of song", and which also includes links to some of
the
most useful Brassens sites on the Web. It's at
http://www.bopsecrets.org/recent/brassens.htm .
* * *
BUREAU OF PUBLIC SECRETS
http://www.bopsecrets.org
"Making petrified conditions dance by singing them their own tune."
ravero
2003-11-03 10:58:24 UTC
Permalink
Post by Weatherman
I don't know how these comparisons can be made. It seems that every time
people get a half-decent songwriter / lyricist, comparisons are then made
with Dylan. This just emphasises how prolific and profound Dylan is. Rather
like comparing Shakespeare with every other playwright.
For what it's worth I have heard it been said more often that Jacques Brel
was more like Dylan than Brassens. Not having a good grasp of the French
language, I wouldn't be able to judge. However, I believe one
thing....neither Brel not Brassens, nor anyone else for that matter, has
moved or affected such a populace, such a wide ranging generation of people
across continents, languages and races, as Bob Dylan.
--
Being Frenchspeaking, I can tell you that both Brassens (from France) and
Brel (from Belgium) can be compared to Dylan when it comes to lyrics and
sarcastic comments towards society. But they both sarted recording much
earlier than Dylan did. A friend of mine, hearing the comparison, once said
"yes, but neither Brassens nor Brel ever sold their soul to the
establishment".
ez-link network
2003-11-02 03:35:10 UTC
Permalink
?
robertandrews
2003-11-03 11:14:34 UTC
Permalink
The better French comparison is with Serge Gainsbourg.
rankflv
2003-11-03 21:22:30 UTC
Permalink
BLAH BLAH BLAH. Oui. Tre BLAH BLAH BLAH. I can't help but dislike
everything French. Sorry.
poetman
2003-11-03 23:11:54 UTC
Permalink
I can't help but dislike everything French. Sorry.
That sounds like a terrible handicap to go through life with. Have you tried
the old Jacques Tati films? They are superb! Surely you can get professional
help - there is not so much stigma attached to making an appointment with a
psychiatrist like there used to be. People don't laugh as much nowadays when
they find out you're having your head looked at. I can try and help you - if
you like. What about a Jacques Tati film, then? I think they're all more or
less silent so you won't have to listen to much froggy talk. Or if you like,
you could watch the French-born actress Claudette Colbert in 'Tomorrow is
Forever'. She and Orson Welles speak English, it's from right back in 1946 -
and it's the biggest weepy ever made. If you can watch that without tears
running down your face like Niagara Falls then you're a better man than I
am. I cry bucket-loads every damned time - even though I'm a six-foot tall
muscle-bound macho type who works as a labourer on a building site. Maybe we
should visit that psychiatrist together.

my psychiatrist
is not interested
in what I want
to talk about,
he is only interested
in what I don't want
to talk about -
so much for the art
of conversation!
ravero
2003-11-05 22:41:27 UTC
Permalink
Post by rankflv
BLAH BLAH BLAH. Oui. Tre BLAH BLAH BLAH. I can't help but dislike
everything French. Sorry.
If you really want to look like a fool, why don't you try the correct
spelling in French:

bla bla bla. oui. tres bla bla bla.

RV
sophie
2003-11-05 23:03:25 UTC
Permalink
Post by ravero
Post by rankflv
BLAH BLAH BLAH. Oui. Tre BLAH BLAH BLAH. I can't help but dislike
everything French. Sorry.
If you really want to look like a fool, why don't you try the correct
bla bla bla. oui. tres bla bla bla.
sans oublier l'accent, bien sur...
--
sophie
Colin Ward
2003-11-05 23:27:34 UTC
Permalink
On Wed, 5 Nov 2003 23:03:25 +0000, sophie
Post by sophie
Post by ravero
Post by rankflv
BLAH BLAH BLAH. Oui. Tre BLAH BLAH BLAH. I can't help but dislike
everything French. Sorry.
If you really want to look like a fool, why don't you try the correct
bla bla bla. oui. tres bla bla bla.
sans oublier l'accent, bien sur...
Comme ça: "très" (ALT-138 = "è"). Ce n'est pas
difficile.

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136 ê 137 º 138 è 139 ï 140 î 141 ì 142 Ä 143 Å
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160 á 161 í 162 ó 163 ú 164 ñ 165 Ñ 166 ª 167 º
168 ¿ 169 _ 170 ¬ 171 ½ 172 ¼ 173 ¡ 174 « 175 »
ravero
2003-11-08 08:41:17 UTC
Permalink
Post by Colin Ward
On Wed, 5 Nov 2003 23:03:25 +0000, sophie
Post by sophie
Post by ravero
Post by rankflv
BLAH BLAH BLAH. Oui. Tre BLAH BLAH BLAH. I can't help but dislike
everything French. Sorry.
If you really want to look like a fool, why don't you try the correct
bla bla bla. oui. tres bla bla bla.
sans oublier l'accent, bien sur...
Comme ça: "très" (ALT-138 = "è"). Ce n'est pas
difficile.
Je n'ai même pas à utiliser le ALT-138, puisque j'ai un clavier "français
france".

RV
Will-Dockery
2024-05-03 13:35:28 UTC
Permalink
Post by sophie
Post by sophie
In message <17cb11d1>, Bureau of
Public Secrets <knabb> write
"Brassens and the other post-World War II French singer
ar
Post by sophie
Post by sophie
responsible fo
the greatest renaissance of song in modern times. . . . Th
grea
Post by sophie
Post by sophie
secret o
Brassens is that he speaks for the total unassimilables wit
complet
Post by sophie
Post by sophie
self-awareness. He knew that he and behind him hi
ever-growin
Post by sophie
Post by sophie
followin
could not and never would be assimilated, and he knew why, an
he sai
Post by sophie
Post by sophie
so i
every song, whatever that song was about. With him th
countercultur
Post by sophie
Post by sophie
come
of age.
(Kenneth Rexroth, "Subversive Aspects of Popula
Songs"
Post by sophie
Post by sophie
Georges Brassens was a lifelong anarchist, and his song
express
Post by sophie
Post by sophie
livel
antiauthoritarian spirit, even if most of them are about th
simpl
Post by sophie
Post by sophie
pain
and pleasures of life rather than about specifically politica
topics
Post by sophie
Post by sophie
He is sometimes compared with Bob Dylan. They are equall
significant
Post by sophie
Post by sophie
but actually differ from each other in many ways
well, he sang and played guitar
he was male
er
Unfortunately, few English-speaking people are aware of him
In an attempt to help remedy this situation, I have put togethe
a ne
Post by sophie
Post by sophie
webpage which briefly discusses Brassens and the other creator
of th
Post by sophie
Post by sophie
French "renaissance of song", and which also include
links to some o
Post by sophie
Post by sophie
th
most useful Brassens sites on the Web. It's a
http://www.bopsecrets.org/recent/brassens.ht
jojo was god
and I think your post was spam
but there you go
--
sophi
j'ai vingt-six ans (if only) mon vieux Corneille..
Interesting, I need to check him out


This is a response to the post seen at
http://www.jlaforums.com/viewtopic.php?p=657956554#65795655

ravero
2003-11-08 08:39:44 UTC
Permalink
Post by sophie
Post by ravero
Post by rankflv
BLAH BLAH BLAH. Oui. Tre BLAH BLAH BLAH. I can't help but dislike
everything French. Sorry.
If you really want to look like a fool, why don't you try the correct
bla bla bla. oui. tres bla bla bla.
sans oublier l'accent, bien sur...
--
sophie
accent que j'ai volontairement omis car sur la plupart des écrans US, il ne
serait pas apparu

RV
poetman
2003-11-03 11:53:15 UTC
Permalink
He is sometimes compared with Bob Dylan. They are equally significant, but
actually differ from each other in many ways.

Hello, I'm Norwegian and a life-long Dylan fan. Personally, I have always
wished that Bob Dylan could speak a word or two of French, just to prove to
others that he's not as thick as they say. Take Leonard Cohen's fans, for
instance - just because he's multi-lingual and can speak Hebrew and French
fluently it makes us Dylan fans look a bit stupid. I'm not saying that Bob
should be a member of MENSA; I know he's not the son of Einstein or anything
like that - but if only he could do a song properly in another language (and
I don't mean just reading the words phonetically like he does in 'Romance in
Durango'). The Beatles (one can't get more working-class than those four
scous gits!) sung real nice in French on their song 'Michelle' - and even
Elvis (not exactly the brightest bulb in the chandelier) sang in German on
'Wooden Heart'. Why is it that some people have the required grey matter for
learning another language and some don't? Anyway, I just thought of these
things because you were talking about a 'French Dylan'.
Unfortunately, few English-speaking people are aware of [Georges Brassens].
Are you saying that a Norwegian who cannot speak English is more likely to
be aware of Georges Brassens than a Norwegian who can speak English?
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